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Het kubisme was een van de vruchtbaarste, maar tegelijkertijd ook ingewikkeldste kunststromingen van de twintigste eeuw. In het decennium voor de eerste wereldoorlog kwam de beweging tot bloei in openbare kunstsalons en particuliere galerieën. Kunstenaars als Picasso, Robert en Sonia Delaunay en vele anderen trachtten hun ervaringen met het moderne leven in hun kunst vast te leggen.

705.8 --- Avant-garde --- Braque, Georges --- Cendrars, Blaise --- Classicisme --- Corot, Jean Baptiste-Camille --- Cézanne, Paul --- Delaunay, Robert --- Delaunay, Sonia --- Derain, André --- Duchamp, Marcel --- Gleizes, Albert --- Gris, Juan --- Kubisme --- Le Fauconnier, Henri --- Léger, Fernand --- Mare, André --- Matisse, Henri --- Metzinger, Jean --- Picasso, Pablo --- Poussin, Nicolas --- Rousseau, Henri --- Tatlin, Vladimir --- Cubist --- Cubism --- Cubisme --- painting [image-making] --- Art --- schilderkunst --- kubisme --- 7.037 --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- kubisme.

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In 1909 the Italian poet Filippo Tommaso Marinetti's Founding Manifesto of Futurism was published on the front page of Le Figaro. Between 1909 and 1912 the Futurists published over thirty manifestos, celebrating speed and danger, glorifying war and technology, and advocating political and artistic revolution. This collection of essays aims to reassess the activities of the Italian Futurist movement from an international and interdisciplinary perspective, focusing on its activities and legacies in the field of poetry, painting, sculpture, theatre, cinema, advertising and politics. The essays offer exciting new readings in gender politics, aesthetics, historiography, intermediality and interdisciplinarity. They explore the works of major players of the movement as well as its lesser-known figures, and the often critical impact of Futurism on contemporary or later avant-garde movements such as Cubism, Dada, and Vorticism. The publication will be of interest to scholars and students of European art, literature and cultural history, as well as to the informed general public.

Futurism (Art) --- Futurism (Literary movement) --- ART / History / General. --- Futurism (Art). --- Futurism (Literary movement). --- LITERARY CRITICISM --- European --- Italian. --- Italy. --- Literature --- Literary Studies: C 1800 To C 1900 --- LITERARY CRITICISM / Modern / 19th Century / Western --- Italy --- Dada art. --- Fernand Leger. --- Filippo Tommaso Marinetti. --- Florentine futurism. --- Italian futurist poetry. --- La cucina futurista. --- La noce. --- Le Figaro. --- Manifesto del tattilismo. --- Pierre Albert-Birot. --- Robert Delaunay. --- Umberto Boccioni. --- avant-garde advertisement. --- avant-garde historiography. --- futurist canons. --- futurist culture. --- futurist manifesto. --- simultaneity. --- technological war. --- avant-garde. --- futurisme. --- vorticisme. --- Marinetti, Filippo Tommaso. --- Albert-Birot, Pierre. --- Boccioni, Umberto. --- Delaunay, Robert. --- Léger, Fernand. --- Gramsci, Antonio. --- Buvoli, Luca. --- 20ste eeuw.

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What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive range and history of American non-fiction filmmaking. Combining comprehensive overviews with in-depth case studies, Geiger maps American documentary's intricate histories, examining the impact of pre- and early cinema, travelogues, the avant-garde, 1930s social documentary, propaganda, direct cinema, postmodernism, and 'new' documentary. Offering detailed close analyses and fresh insights, this book provides students and scholars with a stimulating guide to American documentary, reminding us of its important place in cinema history. Key Features * Historical overview of major documentary forms and practices in the USA * Case studies, including Nanook of the North, The Plow that Broke the Plains, Grey Gardens, and Fahrenheit 9/11 * Analysis of critical debates relating to filmic representations of reality

Documentary films --- National characteristics, American --- History. --- In motion pictures. --- United States --- Blacksmith Scene (Film) --- Blacksmith Scene (Motion picture) --- Buffalo Dance (Film) --- Buffalo Dance (Motion picture) --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Fahrenheit 9/11 (Film) --- Fahrenheit 9/11 (Motion picture) --- Grey Gardens (Film) --- Grey Gardens (Motion picture) --- Grey gardens (Film) --- Manhatta (Film) --- Manhatta (Motion picture) --- Memphis Belle, The (Film) --- Memphis Belle, The (Motion picture) --- Mess Call (Film) --- Mess Call (Motion picture) --- Mess call (Film) --- Nanook of the North (Film) --- Nanook of the North (Motion picture) --- National characteristics [American ] in motion pictures --- Plow that Broke the Plains, The (Film) --- Plow that Broke the Plains, The (Motion picture) --- Tongues Untied (Film) --- Tongues Untied (Motion picture) --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- film --- filmgeschiedenis --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- documentaire film --- Flaherty Robert --- Maysles Albert --- Maysles David --- film en propaganda --- experimentele film --- Léger Fernand --- Sheeler Charles --- Strand Paul --- Lorentz Pare --- Ivens Joris --- Capra Frank --- Steiner Ralph --- Van Dyke Willard --- Riefenstahl Leni --- Ford John --- Wyler William --- direct cinema --- Leacock Richard --- Pennebaker D.A. --- Wiseman Frederick --- Davis Peter --- Morris Robert --- Riggs Marlon T. --- McElwee Ross --- Moore Michael --- 791.43 --- National characteristics, American, in motion pictures. --- Documentaires --- Caractéristiques nationales américaines dans le cinéma --- History and criticism --- Histoire et critique --- Etats-Unis au cinéma --- National characteristics [American ] in literature --- Film --- National characteristics, American, in motion pictures --- Pennebaker D.A --- Riggs Marlon T --- Motion pictures --- Nonfiction films --- Nonstory films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Actualities (Motion pictures) --- History and criticism. --- United States of America --- Films documentaires --- Caractère national américain --- Nationalisme --- États-Unis

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Deze omvangrijke uitgave biedt een overzicht van de belangrijkste teksten over architectuur uit de twintigste eeuw. Tot de geselecteerde auteurs behoren architecten als Sullivan, Loos, Le Corbusier, Mies van der Rohe, Rossi, Tschumi, Eisenman en Koolhaas, maar ook Mauclair en Mordvinov. Er is daarnaast ook plaats ingeruimd voor dichters als Marinetti en Valéry, voor kunstenaars als Lissitzky en Malevich, en voor theoretici als Rykwert, Mumford, Banham en Tafuri. Ook de filosofen zijn prominent aanwezig : Adorno, Benjamin, Bataille en Heidegger.

architectural theory --- architectuur --- Architecture --- architectuurtheorie --- architecture [discipline] --- anno 1900-1999 --- 72.01 --- 72.036 --- -Architecture, Modern --- -Academic collection --- Architectuurtheorie ; 20ste eeuw ; sleutelteksten ; naslagwerken --- Architectuurtheorie ; 20ste eeuw ; manifesten ; programma's --- OSA ; Onderzoeksgroep Stedelijkheid en Architectuur (KU Leuven) --- Architectuur ; statements van architecten --- twintigste eeuw --- Loos Adolf --- Sullivan Louis --- Muthesius Hermann --- Guadet Julien --- Wright Frank Lloyd --- van de Velde Henry --- Wagner Otto --- Unwin Raymond --- stedenbouw --- Berlage Hendrik Petrus --- Sant'Elia Antonio --- Marinetti Filippo Tommaso --- futurisme --- Scheerbart Paul --- Mendelsohn Erich --- Le Corbusier --- Ozenfant Amédée --- Oud J.J.P --- Behne Adolf --- Gropius Walter --- Tessenow Heinrich --- Valéry Paul --- Lissitzky El --- Vesnin Alexander --- Pont Henri Maclaine --- Mies van der Rohe Ludwig --- van Doesburg Theo --- Ginzburg Moisei --- Taut Bruno --- Schultze-Naumburg Paul --- Bauhaus --- De Stijl --- May Ernst --- Jeanneret Pierre --- Malevich Kazimir --- Mondriaan Piet --- Giedion Sigfried --- Mayer Hannes --- Bataille Georges --- Moholy-Nagy László --- Stam Mart --- Mordvinov Arkadii --- Poelzig Hans --- Hitchcock Henry-Russell --- Johnson Philip --- Rosenberg Alfred --- Roux-Spitz Michel --- Benjamin Walter --- Kaufmann Emil --- Mauclair Camille --- Schmitthenner Paul --- Bauer Catherine --- Bloch Ernst --- Alabian Karo --- Sert Josep Lluis --- Léger Fernand --- Jorn Asger --- van Eyck Aldo --- Sedlmayr Hans --- Heidegger Martin --- Bodiansky Vladimir --- Ecochard Michel --- Ivain Gilles --- Smithson Alison --- Smithson Peter --- Banham Reyner --- Bachelard Gaston --- Moholy-Nagy Sibyl --- Summerson John --- Friedman Yona --- Haskell Douglas --- Kahn Louis --- CIAM --- Levinas Emmanuel --- Mumford Lewis --- Cook Peter --- Norberg-Schulz Christian --- Alexander Christopher --- Adorno Theodor W --- Gregotti Vittorio --- Rossi Aldo --- Venturi Robert --- Foucault Michel --- Superstudio --- Eco Umberto --- Hollein Hans --- Turner John --- Scott Brown Denise --- de Carlo Giancarlo --- Habraken John --- Kurokawa Kisho --- Rapoport Amos --- Bekaert Geert --- Archizoom --- Boudon Philippe --- Baudrillard Jean --- Broadbent Geoffrey --- Lefebvre Henri --- architectuur en politiek --- Rykwert Joseph --- Tafuri Manfredo --- Colquhoun Alan --- Grassi Giorgio --- Tschumi Bernard --- Tzonis Alexander --- Lefaivre Liane --- Jencks Charles --- Koolhaas Rem --- Krier Leon --- Rowe Colin --- Koetter Fred --- Panerai Philippe --- Castex Jean --- Porphyrios Demetri --- Cross Nigel --- Frampton Kenneth --- Eisenman Peter --- Virilio Paul --- Kostof Spiro --- Müller Michael --- Colomina Beatriz --- Lyotard Jean-François --- de Solà-Morales Ignasi --- Davis Mike --- Harvey David --- Ghirardo Diane --- Augé Marc --- Sorkin Michael --- Taylor Mark C --- Vidler Anthony --- Cacciari Massimo --- Kollhoff Hans --- Magnago Lampugnani Vittorio --- Verschaffel Bart --- Wigley Mark --- Hays Michael --- McLeod Mary --- verstedelijking --- urbanisme --- functionalisme --- gender studies --- utopie --- ergonomie --- architectuurgeschiedenis --- unheimliche --- Nieuwe Bouwen --- organische architectuur --- kubisme --- utopische architectuur --- bouw --- Mondrian Piet --- CDL --- architectuur 20e eeuw --- architecten --- 72 --- Modern architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Philosophy --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuurtheorie --- Architectuur (theorie) --- Architectuuresthetica --- Architectuurkritiek --- Architectuur (kritiek) --- Architectuur (esthetica) --- Architectuur ; theorie, filosofie, esthetica --- architectuur algemeen, architectuurtheorie, wonen --- Design and construction --- architectural criticism --- Architecture, Modern --- Academic collection --- History --- Architectuur --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architectuur. Bouwkunst --- architectuurfilosofie --- kunstenaarsgeschriften --- Philosophy. --- Philosophie --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- ARCHITECTURE --- ECRITS D'ARCHITECTES --- 20e SIECLE